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Columns,  Sue Katz

Review: Sue Katz on ‘Alleged Lesbian Activities’ at Jacques Cabaret (Boston)

Sue Katz
Sue Katz

The following is reprinted with permission from Sue Katz: Consenting Adult

By Sue Katz

The New Orleans-based ensemble Last Call brought Alleged Lesbian Activities to Boston thanks to our incomparable The Theatre Offensive. This production asks: What happened to all the lesbian bars? And examines what our lives were like back when the underground bars – sleazy, criminal, and too often raided – were the only venues where we could gather.


Alleged Lesbian Activities drew sell-out crowds for five performances at Jacques Cabaret, a dive bar in what used to be known as Boston’s Combat Zone when it was surrounded by other queer bars, topless joints, and the sex trade in the ‘50s and ‘60s. I remember it well because I ‘grew up’ as a baby dyke in Jacques from the late ‘60s. At age 22, I met one of the great loves of my life in that bar, after secretly slipping her a copy of Lavender Vision, one of the first gay liberation publications of the new movement, put out by my collective. I haven’t been back there since the 1970s.


For the show, the place is renamed as Franki’s. We are introduced to a cast of seven lesbians – from the bartender for whom the bar is named (played brilliantly by co-director/creator indee mitchell) to the brash cabaret MC Privacy (played by Hannah Pepper-Cunningham who dramatically greeted audience members as we found our seats) to the predatory teacher Karen who brings her young students to the bar (played lustfully by Rebecca Elizabeth Hollingsworth) to the suave keyboard musician Slim (played by the talented Kei Slaughter.) Together they all try to navigate the reality of being squeezed into this one oasis. As there are no other options in town, they must sort out their issues around race, class, butch and femme. The economic realities of running a lesbian bar (while paying off the cops) is underpinned by the cluelessness of some of the white women, the threat of a raid at any moment, and the complicated inter-personals.


With talent galore, the members of Last Call sing, act, and invite in the recorded voices of old New Orleans dykes who talk about life in those bars. “The bars saved me. The clubs let you be who you were, not like the outside,” says one. “The bar was my safe haven,” says another. Says one black lesbian about the bar she frequented, “I never went there by myself: it just wasn’t comfortable. I didn’t want to be the only one.” Says another, “It not just about keeping the bar open: it’s about keeping it black.”

Last Call clearly listened to the women they interviewed, as they seamlessly touch on confusions about butch/femme identity in the days when it was illegal not to wear three pieces of “appropriate” gendered clothing; as they talk about exclusions from churches and the need to find a substitute community in the bars; and as Franki tries to impress on her patrons the proper codes of conduct when cruising in the bar.


I was amazed to read on the inside cover of the program the story of the first Gay Pride March in Boston in June of 1971 (lesbian liberation marched in Boston the year before), including the list of demands to Jacques that my friends and I constructed back then. These included a women-only space upstairs, unlocked fire escapes, and cleaner bathrooms (for after all, we made the acquaintance of many of our girlfriends in the line to the toilets).

Kudos to The Theatre Offensive for bringing us Last Call’s Alleged Lesbian Activities – for me it was an unexpected stroll down memory lane and for the friend I went with who is in her 20s, it was a peek into the life of generations past.

Lillians Last Affair and other stories cover jpgSue Katz is a wordsmith and rebel who has been published on the three continents where she has lived, first working as a martial arts master, then promoting volunteerism globally, and recently working with elders. Her book Lillian’s Last Affair is a collection of short stories about the love lives of older people. Her followup, Lillian in Love examines how two old women negotiate love. Read her blog “Consenting Adult” at www.suekatz.com, “friend” her at facebook.com/sue.katz, or write her at sue.katz@yahoo.com.